Why are we drawn to worn linen, faded florals and objects that bear the marks of time? A personal exploration of textiles, memory, atmosphere and the quiet beauty of things that have remained.
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An exploration of Marie Laurencin’s muted palettes, theatrical femininity, and dreamlike decorative world, through painting, atmosphere, textiles, and memory.
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Artificial flowers like these became especially popular during the mid twentieth century, bringing colour into homes long before fresh flowers were available year round. Made from fabric petals and wired stems, their faded tones and softened shapes now carry a quiet lifelike quality that feels even more beautiful with age.
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