Les Travaux de la Manufacture – Art, Industry & the Story Behind the Cloth

In 1783, the French artist Jean-Baptiste Huet designed a textile unlike any other, not for fashion, not for furniture, but to celebrate the quiet heroism of craft. His design, Les Travaux de la Manufacture, tells the story of an entire industry in repeat: a visual ode to the processes, people, and pride behind fabric itself.

The Print as a Portrait of a Place

This remarkable piece was printed at the Oberkampf factory in Jouy-en-Josas, the birthplace of toile de Jouy. At the time, Oberkampf had just been awarded the title Manufacture Royale, and Huet, a Rococo painter turned textile visionary, was tasked with creating a work that would embody the factory's values and elevate its status.

What he produced was more than a pattern, it was a portrait. Fourteen meticulously drawn scenes unfold across the cloth, showing every stage of textile production: sketching, dyeing, engraving, printing, washing, drying, folding, and pressing.

It is the Enlightenment in fabric form, rational, ordered, deeply admiring of skill.

A Celebration of the Worker

Unlike many decorative designs of the 18th century, Huet’s composition centres the people behind the process. Men, women, and even children are shown at work, each with a role in the story of making. You see hands dipped in dye, eyes scanning colour, backs bent in careful labour.

But there’s a quieter commentary, too. While women were essential in textile production, they were often paid half the wages of their male counterparts. Huet’s fabric, perhaps unwittingly, records this imbalance by showing their labour alongside the men’s, equally diligent, equally necessary.

Art Meets Industry

Huet’s design is a masterclass in copperplate printing, a technique that allowed for incredibly fine, detailed illustrations on cloth. Inspired by Indian chintz and improved by European innovation, the method created smooth, story-rich surfaces far beyond the capabilities of block printing.

Oberkampf’s artisans were pioneers of this technique, and Les Travaux stands as a tribute not only to their work, but to the very idea that textile manufacturing could be beautiful.

Where to See It Today

Fragments and full panels of Les Travaux de la Manufacture live on in collections around the world:

  • The Metropolitan Museum of Art (NY)

  • The Art Institute of Chicago

  • The Victoria & Albert Museum (London)

  • St. Louis Art Museum

Each one offers a different colourway or cloth base, some in cotton, some in linen, all echoing the same reverence for the workshop as a place of art.

Why It Still Matters

For collectors, designers, and textile lovers, Les Travaux is more than historical décor. It’s a reminder that every scrap of fabric has a story. That the things we drape, stitch, or fold into drawers were once touched by many hands, and that those hands shaped not just objects, but culture.

It’s the kind of cloth that reminds us: the most beautiful things are often made slowly, in community, with care.

Curious to see how this design continues to inspire? Follow our Styling Notes or explore our archive of vintage French textiles here and here. You never know what thread will pull you in

Let this narrated piece guide you through the pattern, process, and people behind a timeless textile.

Tanya Joseph